| Krishnaraj Chonat |
| Sheela Gowda |
| Sakshi Gupta |
| Abhishek Hazra |
| Zakkir Hussain |
| Bharti Kher |
| Susanta Mandal |
| Srinivasa Prasad |
| Sreshta Premnath |
| Sudarshan Shetty |
| Anup Mathew Thomas |
| Navin Thomas |
| Avinash Veeraraghavan |
|
| Selected Works 2008 - 2010 |
| Selected Works 2006 - 2007 |
| ShContemporary Art Fair 2007, Shanghai |
| Do not meddle in the affairs of dragons because you are crunchy and taste good with ketchup, 2006 |
| quasi-, mim-, ne-, semi-, -ish, -like, 2004 |
| Hybrid Prints, 2004 |
| Selected Works, 2004 - 2006 |
| Selected Works, 2002 |
| Bindi Paintings |
| Curriculum Vitae |
|
|
| Bharti Kher |
Born in London, U.K, 1969
Lives and works in New Delhi, India
|
| 2010 |
|
inevitable undeniable necessary, Hauser and Wirth, London |
| 2008 |
|
Virus, BALTIC Centre for Contemporary Art, Newcastle, UK |
| 2007 |
|
An absence of assignable cause, Jack Shainman Gallery, New York, USA
An absence of assignable cause, Nature Morte, New Delhi, India
|
| 2006 |
|
Do not meddle in the affairs of dragons because you are crunchy and teste good with ketchup
GALLERYSKE and Project 88, Mumbai
|
| 2004 |
|
Quasi-, mim-, ne-, near-, semi-, -ish, -like, GALLERYSKE, Bangalore
Hungry Dogs Eat Dirty Pudding, Nature Morte, New Delhi
|
| 2001 |
|
The Private Softness of Skin, Gallery Chemould, Mumbai
The Private Softness of Skin, Bose Pacia Modern, New York (cat)
|
| 1999 |
|
Telling Tails, New Delhi
Telling Tails, Galerie F.I.A, Amsterdam
|
| 1997 |
|
Galerie F.I.A, Amsterdam |
| 1995 |
|
Art Heritage, New Delhi (cat) |
| 1993 |
|
AIFACS, New Delhi |
| 2010 |
|
Lebenszeichen. Altes Wissen in der zeitgenossischen Kunst/Sign of Life. Ancient Knowledge in Contemporary Art, Kunstmuseum Lucerne, Lucerne |
| 2009 |
|
Marvellous Reality, Lalit Kala Academy, New Delhi
Casa Asia, 'Indian Narrative in the 21st Century: Between Memory History', Madrid
Shifting Shapes. Unstable Signs, Yale University School of Art, New Haven CT
|
| 2008 |
|
Re-imagining Asia: A thousand years of separation, curated by Shaheen Merali and Wu Hang, House of World Cultures, Berlin
Distant Nearness, The Nerman Museum of Contemporary Art, Kansas, USA
Chalo India: A new Era of Indian Art, Mori Art Museum, Tokyo
Indian Highway, Serpentine Gallery, London
Where in the world, Devi Art Foundation, New Delhi
Passage to India, Frank Cohen Collection, Initial Access, Wolverhampton, Manchester, UK
Basel Art Fair (Nature Morte, Emmanuel Perrotin)
Everywhere is war, curated by Shaheen Merali, Bodhi Art, Mumbai
|
| 2007-08 |
|
New Delhi/New Wave, Pimo Marella gallery, Milan
India - Guest in the Giant, RAIN.bow.PEARLS, organized by Swarovski at the Kristallwelten
|
| 2007 |
|
India 20, a group show that coincided with the release of the book, India 20, compiled by Anupa Mehta, at Rabindra Bhavan, Lalit Kala Academy, Delhi
Pink, Gallerie Mircahndani and Steinreucke, Bombay, India
Urban Manners. Contemporary Artists from India, curated by Adelina von Furstenberg at Hangar Bicocca in collaboration with ART for the World Europa, Milan, Italy
Indian Photo and Media Art: A Journey of Discovery, FLUSS - NÖ Initiative for Photo-and Media Art, Weinviertel, Austria
Private/Corporate IV, Sammlung DaimlerChrysler- Lekha and Anupam Poddar Collections, Berlin, Germany
|
| 2006 |
|
With Love, curated by GALLERYSKE and Tilton Gallery, at Miami Design District
Fuori Uso 2006 - Altered Stated, are you experienced? curated by Nicolas Bourriaud and Paolo Falcone, Ex Mercato Ortofrutticolo, Pescara, Italy
Asia Pacific Triennale, Queensland Art Gallery, (cat), Brisbane, Australia
Le troisieme Oeil, Lille 3000, curated by Caroline Naphegyi, (cat), Lille, France
Inside outside, Nature Morte, New Delhi, India
Hungry Gods, Arario Gallery, (cat), Beijing, China
Made By Indians, Galerie Enrico Navarra, Art on the beach, (cat), St Tropez, France
Long Happy Hours Thereby Happiness and Other Stories, Gallery Chemould at The Museum Gallery, Mumbai, India
|
| 2005 |
|
Zeitsprunge Raumfolgen curated by Simone Wilke, IFA Galerie Berlin and Stutgard. (cat)
Mom and Pop, Walsh Gallery, Chicago
Indian Summer, curated by Deepak Anand and Jany Luga(cat)
Summer, Nature Morte, New Delhi
Het offer/ an intimate I: droom en werkelijkheid , De Beverd Museum voor Grafische werkeljkheid, Breda
|
| 2004 |
|
Contemporary Art From India, Thomas Erben Gallery, New York
Vanitas Vanitatum, curated by Peter Nagy for Sakshi Gallery Mumbai
the SNEEZE, a Featured Film 80 artists x 80 seconds 106 minutes, curated by Natasha Makowski and Peter Lloyd Lewis, Athens, Greece (cat)
Adrogyne, curated by Alka Pande at India Habitat Center, New Delhi
|
| 2003 |
|
Crossing Generations : diVERGE
Curated by Geeta Kapur and Chaitanya Sambrani for 40 years of Gallery Chemould. (cat)
The Tree from the Seed, Curated by Gavin Jantjes, Contemporary art form India, Henie Onstad Kunstsenter, Norway. (Cat)
Sirpur Paper Mills, workshop Exhibition, at Art Inc, New Delhi
Bad Taste, Apparao Gallery, at The Apeejay New Media Centre, New Delhi
|
| 2002 |
|
Under Construction, Tokyo Opera City Art Gallery, Tokyo and Japan Foundation. (cat)
Khoj Residency Show, Khoj Studios, New Delhi
Creative Space, Sakshi Gallery, at Habitat Centre, New Delhi (cat)
Photosphere, curated by Peter Nagy, Nature Morte, New Delhi
Playgrounds and Toys, ART for The World, Geneva. In Delhi with Nature Morte.
Cutting Edge Contemporary curated by Art Edge, NGMA Mumbai; Interiors Espana,Delhi.
GLUE: curated by Peter Nagy at Sumukha Gallery, Bangalore
Borderless Terrain, curated by Alka Pande, Habitat Center, New Delhi (cat)
Silence Violence, NSA Gallery, Durban and NieBethesda and Stellenbosch. South Africa.
A Pulse Project curated by Greg Streak.
MANGO, A SAWCC show for Talwar Gallery, New York.
Anant Gallery, New Delhi
Sorry For The Inconvinience, curated by Gridthya Gaeweewong for Japan Foundation,
At Project 304, Bangkok, Thailand and Tokyo Opera City Art Gallery Tokyo. (Cat)
Sidewinder, curated by Gerard Hemsworth for CIMA Gallery, Kolkata. India
Habitat Centre, New Delhi, Coomaraswamy Hall, Prince of Wales Museum of Western India, Mumbai
|
| 2001 |
|
Art On The Move, a Sahmat Project curated by Vivan Sunderam , in 5 venues in Delhi
Kitch kitch Hota Hai, curated by Madhu Jain for Gallery Espace, India Habitat Center, Delhi (cat)
|
| 2000 |
|
Open Circle Exhibition at Lakeeren art Gallery, Mumbai (cat)
of, based on, or obtained by (Tradition), Nature Morte, New Delhi
Aar Paar, an exchange between five Indian and Pakistani artists.
Curator: Shilpa Gupta and Hema Mulji.at Kundan Pan Shop, Karachi, Pakistan
|
| 1999 |
|
Impact curated by Jim Beard Gallery, Amsterdam at CCA New Delhi
Embarkation, curated by Yashodra Dalmia at Sakshi Gallery Mumbai (cat)
Icons of The Millenium curated by Lakeeren Art Gallery, Nehru Centre, Mumbai. (Cat)
Boxwallahs, Art in a Public Space with De Ego.
A collaborative work with Subodh Gupta at Sahay Filling Station, Gurgaon/ Mehrauli Road, N.H.8
Hed end aagse Kunst uit India, Central Bureau Vande Hogeschool, Amsterdam
Nature Morte, New Delhi
|
| 1998 |
|
Edge of The Century curated by Amit Mukopadya, British Council, New Delhi (cat)
Cryptograms, Lakeeren Art Gallery, Mumbai (cat)
|
| 1996 |
|
Royal Overseas League Open Exhibition, Overseas House London: Edinburgh College of Art
Of Women Icons/Stars/Feasts, Eicher Gallery, New Delhi (cat)
|
| 1995 |
|
6th Bharat Bhawan Biennal of Contemporary Indian Arts, Bhopal
Sakshi Gallery, Mumbai
Postcards for Gandhi, A Sahmat Exhibition in five cities in India.
|
| 1993 |
|
Trends in Contemporary Indian Art, Art Heritage, New Delhi. |
| 1991 |
|
Aspects of British Figurative Painting (1988-93) Milton Gallery, London. |
| 1990 |
|
Fresh Art at the National Fine Art Degree Fair, the Business Design Center, London
Squires Gallery, Newcastle Polytechnic Newcastle upon Tyne
|
| 2003 |
|
The Sanskriti Award |
| 2004 |
|
French Government residency, Paris |
| 2002 |
|
Khoj Residency, New Delhi.
Sirpur Paper Mills, Hyderabad.
Silence Violence, A Pulse project, in Durban and Niebethesda, South Africa
|
| 2000 |
|
Pipe Dreams Workshop 2000 at Kosi Kalan UP
Open Circle Workshop, Mumbai
|
| 1997 |
|
Khoj Artists Workshop, Sikribagh, Modinagar (cat) |
| 2005 |
|
Le Monde numero 67, 28 may 3 june Un pied dans lart indien contemporain by Dominique Fretard
Art India Magazine Vol X issue ii World In Flux by David Lewis
|
| 2004 |
|
Deccan Herald, Nov 15th 2004, Hybrid Equations by Marta Jakimowicz
Art Beat, Sep 8 2004, Objets dart by Georgina L Maddox in Vanitas Vanitum
Art India Magazine Vol IX issue iii, Quarter iii, Composite Creatures, Hybrid Selves by Meera Menezes pg 108-9
National Review Sept 2004, Pleased to Provoke, by Parsa Venkateshwar Rao Jr, pg 65-67
Mid Day, July 9 2004 Flying an artistic flag By Vishwas Kulkarni
|
| 2003 |
|
Arts Etc, Sunday, September 14, 2003, Medium is the Mouse, by Georgina L Maddox
(a-n) Magazine For Artists Feb. 2003, Capital City, by Judith Staines, pg 34-36. UK
The Financial Express, After Eight Indestructable Self Portraits, By Sunnet Chopra
|
| 2003 |
|
Art India Magazine,Vol 7. Issue 4, Is She Fish or Fowl, review by Meera Menezes, pg 52-53. India.
Asia Times, Asian art, global-style by Marwaan Macan-Markar, March 2 2002 (online)
Art Monthly, April no 255. Review, Sorry For The Inconvinience, by Sachiko Namba (Pub in the UK)
Asia Center News, 2002 no 21, You are What You See. Published by The Japan Foundation.
The New York Times, July.2002 review by Holland Carter, Mango.
Artthrob, review Aug 2002, Silence Violence, by Virginia Mackenny. South Africa
|
| 2005 |
|
A Guide to 101 Modern and Contemporary Indian Artists, by Amrita Jhaveri, page 114
Published by: India Book House Pvt. Ltd,
Mahalaxmi Chambers Bhulabhai Desai Road, Mumbai
|
| 2003 |
|
Crossing Generations : diVERGE Curated by Geeta Kapur and Chaitanya Sambrani published by Gallery Chemould. Pg 39
The Tree from The Seed Contemporary art from India Gavin Jantjes pg 11, 34-38. Published by The Henie Onstad Kunstsenter, 2002
|
| 2002 |
|
Under Construction New Dimensions of Asian Art Gridthiya Gaweewong pg 70-71 (eng/Japanese)
Published by the Japan Foundation, Tokyo.
Sorry for The Inconvenience, exhib. Cat.
Today Asia: An angle from Thai Chinese and Indian cultural Workers (thai/English) pg 7-16 by Gridthiya Gaweewong. Thankamol Publishing Bankok
Borderless Terrain, exhib cat.; essay by Dr Alka Pande
Sidewinder. Bharti Kher Essay by Peter Nagy pg 58-61
|
| 2000 |
|
The Private Softness of Skin - An Aesthetics of Import/Export by Peter Nagy.
Published by Bose Pacia Modern, New York. Contemporary art of India Vol 9. (Solo show)
|
| 1987 |
|
Middlesex Polytechnic, Cat Hill, London |
| 1988 |
|
Foundation Course in Art and Design Newcastle Polytechnic,
BA Honours, Fine Art, Painting
|
|
|
|